SCUA News

Special Collections and University Archives

by Kathelene McCarty Smith

Mary Sue Beam was a student at the North Carolina College for Women (now UNC Greensboro) between 1919 to 1923. These were important years in the history of the campus and the country. When Mary Sue left her home in Shelby, North Carolina, to attend the small women’s college in the fall of 1919, she stepped into an exciting new era of the school. The “Great War” had just ended the year before and by August of 1920, the 19th Amendment would be passed, giving women the right to vote. Indeed, her scrapbooks include a list of forty-two elections for which she planned to vote in absentia. Mary Sue viewed her college years through the lens of the “Roaring Twenties,” when the postwar economy was booming, and the school began a building campaign to meet the needs of a growing student body.

Mary Sue Beam’s Graduation Photograph

Memories of her time at the North Carolina College for Women (NCCW) were carefully curated in two scrapbooks; “Commencement Days,” and “My Memory Book: North Carolina College.” The latter was a gift from her friend Lois McMurry. These were typical of the prefabricated scrapbooks that became popular in the 1920s, which included illustrations and specifically labeled spaces for the name of the student and their friends, as well as many blank pages to hold photographs, correspondence, cards, and ephemera. As a freshman of the Class of 1923, Mary Sue proudly included her Class motto, “Courage,” the Class song, and the Class’s unique colors of red and white. She noted that these designations differed from the school’s motto, “Service,” the school song, and its corresponding colors of yellow and white.

Dinner menu from a Dikean Literary Society dinner and a Junior Class Banquet invitation

Mary Sue’s college life poured onto the pages of her scrapbooks, which she lined with notes and candid photographs of friends and classmates, campus buildings, and trips to the Blue Ridge Mountains and Washington D.C. She was very active in many aspects of student life, taking on leadership roles as president of her class and as a member of the House of Representatives. Mary Sue’s scholarly efforts were acknowledged by her membership in the Tau Pi Delta Honor Society and her election as a Marshal. The Marshals was a service organization recognizing a student’s academic excellence and service record. Literary societies elected at least three Marshals annually from each class to serve on a Student Council, which acted as an advisory group to the college administration.

Scrapbook page with YWCA ephemera

She was also involved in many school clubs, such as the Young Women Christian Association (YWCA), for which she served as a cabinet member. She also participated in the International Relations Club, the Inter-Society Extension Bureau, and the Red Cross. It may have been her work with the Extension Bureau that led to the inclusion of an intriguing, but unlabeled, photograph of a truck-pulled float representing the Department of Vocational Education farming initiatives.

Department of Vocational Education float

There are many references to her membership in the Dikean Literary Society. Literary Societies were first established on campus in 1893, a year after the school opened. These groups were the primary social organizations on campus, hosting plays, debates, teas, and dances. At first, there were only two societies on campus, the Adelphian and the Cornelian, but as NCCW grew, the Dikean Society was added. The group was formed in 1919 with members from the other two societies, but in 1919, they began inducting new members. The Society’s colors were green and gold, adding even more colors to Mary Sue’s scrapbooks.

Along with other NCCW students, Mary Sue joined the Forest Avenue Baptist Church in Greensboro, and was in attendance when their “college hut” was dedicated in 1923. She must have been fairly active in the church, as she was asked to speak at the event, publicly answering the request of Mrs. C. A. Williams, the director of student activities of the College, who urged the students to use the hut “to serve the state and the world.” In April of the same year, Mary Sue attended the Southern Baptist Student Conference held in Greensboro, which featured musical performances and talks by speakers from throughout the Southeastern United States.

Permission to ride with boys and a note from Charlie Mac and Homer

In addition to her club memberships and church activities, Mary Sue lead an active social life. The scrapbooks are a treasure trove of letters, notes, cards, and invitations from friends and sweethearts. Especially significant is a note granting Mary Sue permission to ride in cars with boys, a consent that was not readily given to students. Apparently, she spent time with several young men, including one named Jimmie, who declared that she was his ideal girl and that he “loved her more than he should.” She doesn’t mention if any of her admirers accompanied her to her sister’s wedding, during which she served as maid of honor. A related article about the wedding included in the scrapbooks, described Mary Sue as “charmingly gowned in champagne lace over turquoise blue,” and carrying yellow chrysanthemums. 

Mary Sue’s graduation ephemera

In June of 1923, Mary Sue graduated from NCCW, participating in many campus events in honor of the senior class. She included sentimental notes and congratulatory ephemera in her scrapbooks, as well as a photograph of her graduation class parading down College Avenue holding a banner with their motto, “Courage.”

Mary Sue as a teacher and author

In June of 1923, Mary Sue’s thoughts were not only on the fun and frivolity of graduation parties. She was also concerned with finding employment. Her scrapbook contains letters from several North Carolina school districts regarding teaching positions available the following fall, although hints of where she eventually landed were not included. Further research reveals that Mary Sue did become a high school teacher in North Carolina, spending much of her career in Raleigh. She also became an author, writing articles about education and teaching. Mary Sue married Newton G. Fonville, ten years her senior, in January of 1928, and seems to have lived a full life, finally passing away in 1993, at the age of 92.

Link to the digitized scrapbooks: https://gateway.uncg.edu/islandora/object/mss%3AMSS0313

I began working at SCUA in May 2024, and it has quickly become one of my favorite positions. The experience has been immensely rewarding, particularly my involvement with the North Carolina Literary Map project. It has been incredibly enjoyable to discover new authors and literary figures that I had never encountered before. This project has not only expanded my knowledge but also deepened my appreciation for regional literary traditions.

Before starting my program in Library and Information Science, I had a somewhat vague idea of the direction I wanted to take after graduation. However, my time with SCUA has been extremely helpful in helping me define and clarify my career goals.

Additionally, my role at SCUA has allowed me to refine several key skills, particularly in data entry and data organization. These are important skills in the archival profession, and I am genuinely grateful for the opportunity to develop them. The more time I spend working with SCUA, the more I come to appreciate the nuances and importance of archival work.

In addition to my work on the North Carolina Literary Map, I have had the opportunity to create two visual story maps. The first story map I developed focused on North Carolina Folklore and Legends, while the second one highlighted Latinx and Hispanic Authors in North Carolina. These projects were not only creatively fulfilling but also significantly enhanced my research skills. They provided me with new information and perspectives that I might not have encountered otherwise.

Looking ahead, I am excited to continue my work with SCUA and contribute further to its impactful projects. I am eager to apply and expand the skills I am learning throughout my LIS program. I also want to extend my heartfelt thanks to Patrick Dollar and Kathelene Smith for their constant encouragement and support. 

Check out the visual story maps below:

North Carolina Folklore and Legends:

https://go.uncg.edu/folklore

Latinx and Hispanic Authors in North Carolina:

https://go.uncg.edu/latinx

Rare Book Curator, Carolyn Shankle, is cooking her way through SCUA’s vast North Carolina Cookbook Collection! She will have a new recipe each quarterly newsletter. For this installment of Cooking Through the Counties, we’re passing through Dare County, North Carolina, to make Shirley B.’s recipe, Honey-Wheat Bread. This recipe comes to us from the God Willing Cookbook, second printing, 1985. Based off of the title alone, it would be understandable to think that this is another church cookbook.

From the introduction:

The GOD WILLING COOKBOOK is the work of an unusual sisterhood that began on the Outer Banks of North Carolina in 1966. A group of women friends living and visiting in the area organized a retreat for women whose lives were affected – directly or indirectly – by the abuse of alcohol.

The funds raised by the sale of the cookbook supported the purchase and upkeep of the Deo Volente [God Willing] retreat house on the shore of the Albemarle Sound.

Recipe for Honey-Wheat Bread

What intrigued me about this bread recipe is that you could use either honey or molasses as the sweetener – so I made a batch of each. For those counting, this potentially results in four loaves of bread.

Assembling the ingredients
Adding either honey or molassess to the dissolved yeast
Dough ready to be covered so that it can rise

The yeast preferred the molasses, rising higher than the honey-sweetened dough.

Honey Bread Dough
Molasses Bread Dough

Just for fun, I used two each of Fire King and Pyrex [old logo] glass loaf pans for baking the loaves. The honey bread was baked in Fire King; the molassess in Pyrex. I could not tell a difference in the distribution of heat.

Ready for the oven!
Right from the oven – my house smelled scrumptious!

And the verdict? Both versions of the recipe resulted in a hearty bread suitable for savory sandwiches, cheese toast, or dipping into your favorite soup. The honey bread had a softer crumb than the molasses.

Thank you, Shirley B., for sharing your recipe with us!

Time to slice and share!

KIN Ed Students Visit SCUA

In June, SCUA hosted a group of KIN Ed students who were visiting campus for their in-person orientation. They viewed a pop-up exhibit and heard a presentation by Kathelene McCarty Smith related to the history of physical education at UNC Greensboro. The exhibit included early gym suits, artifacts, and images, as well as several important books selected by Rare Books Curator Carolyn Shankle from SCUA’s collections; De Arte Gymnastica, written by Giovanni Mercuriali (1530-1606), which is one of the earliest books to discuss the therapeutic value of gymnastics and sports, and several books on the history of physical education and dance for women and girls, originally part of the Amy Morris Homans Collection at Wellesley College, which was purchased in the 1940s by the University Libraries. They also toured several archives spaces, including the Preservation Lab where they had their picture taken with the famous Bindery Doughnut!

First year Art MFA students visited SCUA this summer, where they had some hands-on time with several artists’ manuscript collections which document their creative process and also a selection from the Zines and Newsletters Collection! After their SCUA visit, they toured the Digital Media Commons.

LIS 683: Preservation Management in Libraries/Archives

Beth Ann Koelsch, Audrey Sage, and Carolyn Shankle joined Kathelene Smith’s LIS 688 class to share information about all aspects of archival preservation, including bookbinding and papermaking, as well as book, photo, and scrapbook preservation. They also discussed the role of digitization in archival preservation efforts.

by Audrey Sage

I find summertime to be one of the most exciting times of the year because it affords the opportunity to witness the abundance and proliferation of insects and plant life in the garden. This wonderful artist book “ABC of Bugs and Plants in a Northern Garden” is filled with fantastic information and beautiful imagery presented in the always fun format of an abecedarian.

“A collaboration between Vermonters Claire Van Vliet, proprietor of Janus Press, and Judy Fairclough Sgantas, an artist and gardener. This work is a double alphabet book, with classical Roman letter forms entwined with plant life and insects. For each letter of the alphabet a black-and-white image faces a second colored image, revealed by opening an opposing folded leaf, with text positioned on a center panel between the complementary images. The content is about garden insects–what attracts or repels them–and a plant’s defenses. The text gives definitions of the insects for that letter including both common and Latin names. Information ranges from ‘common habitat’ to ‘natural control.'” – Vamp & Tramp Booksellers

As described in this wonderful volume, the variety, collaboration and attention to detail and quality of materials is astounding. It is always fascinating to handle a bound book that is structured in a non-adhesive-binding technique such as this which uses handmade paper, cut into strips, and laced through the text pages.

“The title page ABC is from Pacioli’s drawings of the alphabet in the appendix of De Divina Proportione. The classical titling Augustea Open, used on the box label, is from the Niebolo Foundry in Turin and was designed in 1951 by Aldo Novarese with Alessandro Butti.”

“The ink, graphite, and colored pencil drawings were digitally scanned from the originals and printed using Durabright Ultra Inks on an Epson Workforce 1100 by Andrew Miller-Brown who also letterpress printed the text from polymer plates on the Vandercook SP20 at the Janus Press in Newark, Vermont. The text was set on the computer in Robert Slimbach’s 9pt Utopia Display (designed in 1989 for Adobe Systems, Inc.) and printed on mouldmade Arches gold Cover cotton paper. The covers are Barcham Green 140lb DeWint handmade watercolor paper and the binding strips are Barcham Green Blackfriars.”

“The strip binding was designed for this edition by Claire Van Vliet and executed with Audrey Holden. The box trays made by Mary Richardson are covered in Scholco and Seta cloths and lined out with St. Armand paper that was a special making of restoration wallpaper for a house by Frederick Law Olmsted. The cover is natural linen with the title in 42pt Augustea Open printed on ochre paper made by Katie MacGregor in Whiting, Maine, mounted on paste paper by Claire Maziarczyk Paperworks in Niskayuna, New York.”

Uglybug Deformitas cimex


“To many people all bugs are ugly but with a closer look and study, one finds a symphonic play between the various bugs and between the bugs and plants, even the most troublesome Bug is derived from Middle English bugge and originally meant goblin or bogy, retained today in bugbear. Over time, and by uncertain means, it developed its modern usage referring to an insect, especially beetle-like creepy-crawlies, and sometimes specifically to the bedbug. Insect, on the other hand, comes from a Latin verb meaning ‘to cut in’ and refers to the nearly divided structure of the bodies of insects. Today bug can mean almost any insect, even those with wings like black flies and mosquitoes, and is widely used in daily working language. From bugbears to potato bugs and bedbugs to stomach bugs and ‘Don’t bug me!’ bugs are everywhere we don’t want them to be.”

Beautiful Luna Moth drawing.

“Note on the Letters: The geometrical formation of Roman capitals was inspired by Renaissance interest in the monumental inscriptions of classical antiquity by such pioneering transcribers and collectors as Cyriacus of Ancona. The earliest example of a work to show diagrams of letters formed by geometrical means is a 1463 manuscript by Felice Feliciano of Verona. In 1509 the first printed edition of Pacioli’s De Divina Proportione appeared in Venice, including an appendix on geometrical letterforms with the different circle sizes that determine the curves of the letters and serifs. Later examples using the circles include works published by: Si-gismondo Fanti, Venezia 1514; Francesco Torniello, Milano 1517; Albrecht Durer, Nuremberg 1525; Giambattista Verini, Toscolano 1526 and Geoffrey Tory, Paris 1529. Different designers divided the basic square into grids of nine, ten and twelve divisions to help determine the shape and proportion of the letters.”

Signed by the artist.

by Audrey Sage

The Special Collections contains a copy of Letters from New York by L. Maria Child, which was published in 1845 by C. S. Frances & Co. in New York. Other works by L. Maria Child include Philothea: A Grecian Romance, History of Women, The Mother’s Book, and Flowers for Children.

Prominent author and abolitionist Lydia Maria Child began writing her “letters” from New York in August 1841 as a response to the troubling realities marking her private and public life. In particular, she was preoccupied by her editorial duties at the National Anti-Slavery Standard and dismayed by the growing sectarian spirit of antislavery reform. Collected primarily from the pages of the Standard, her literary essays on women’s rights, the preaching of African American minister Julia Pell, the Crosby Street Synagogue, animal magnetism, the engineering miracle of Croton Aqueduct, and countless other people, topics, and events capture the breathless and sometimes unsettling transformation of one representative hub of national life. – University of Georgia Press

This third edition of “Letters from New York” had become worn and in need of restoration treatment. I began the work by removing the covers from the text block in order to perform the mends necessary before I would be able to rebuild the cover.

The text block signatures were somewhat loose due to the poor condition of the original adhesives, as well as the unfortunate tearing of the backing cloth.

I was able to remove the old glue and apply new starch adhesive and archival mending tissue to reinforce the spine, salvaging the original sewing.

Text block spine with new starch adhesive and new backing paper reinforcement applied.

Once this was complete I was able to apply new linen cloth backing to replace the damaged cloth, and a sturdy japanese paper hollow.

The cover boards were repaired, the damaged corners were mended and moriki paper was used to cover the areas that were missing the original bookcloth. The original endpapers could be mended and lifted from the boards to prepare for the insertion of the new backing fabric.

Once the cover was rebuilt, the spine cleaned and rebacked, and the endsheets repaired, I was able to attach the original covers back onto the text block. With the original cover cloth lifted, I inserted a replacement spine exterior made from linen backed toned moriki paper that I was able to then further tone with additional pigments to closely match the color of the original cover material. Once this spine repair was completed and the restored book pressed, this special historical book, Letters from New York, is ready to be returned to the shelf, to be accessed and utilized by future historians, researchers and the curious reader.

FLASHBACK TO THE 1940s

On July 6, 2024, Kathelene McCarty Smith and Beth Ann Koelsch participated in the Greensboro History Museum’s second “Forties Flashback Family Fun Day.” Kathelene spoke about Woman’s College (now UNCG) Dean Harriet Elliott’s contributions to World War II. Beth Ann gave a presentation about American Red Cross Recreation worker Jean Moore Fasse (photo below), and then “tabled” at the event to publicize the Women Veterans Historical Project.

Beth Ann Koelsch and a WWII reenactor
Jean Fasse stands outside in uniform, circa 1955

CRAM AND SCRAM

In August 2024, Carolyn Shankle, Anne Symonds, and Audrey Sage kickstarted the “sort operation” for the annual “Cram and Scram” rummage sale. The UNCG Office of Sustainability collects clothes and other materials UNCG students leave behind on campus. This initiative saves an annual average of 8 tons of materials from going to the landfill. The Cram and Scram Rummage sale is Friday September 13, 2024 at the Elliott Student Center from 2pm-7pm where these items will be sold to the general public and students for a flat price of $1 each.  

CHANCE Program

On July 18, 2024, SCUA once again welcomed Latinx high school students who were taking part in the CHANCE (Campamento Hispano Abriendo Nuestro Camino a la Educación/Hispanic Camp Opening Our Path to Education) program. CHANCE encourages students to attend college by increasing their awareness of higher education and showing that it is well within their reach.

During their time in SCUA, students were divided into two groups. One group learned about UNCG history, archives, and primary sources from Beth Ann Koelsch. The second group met with Suzanne Helms for a hands-on activity in which students took on the role of archivists. Students were asked to work with a partner to create a list of items that they would collect to tell the story of their time on the UNCG campus. They discussed the various digital and physical artifacts they could use to narrate their stories. Some of the items they listed were CHANCE t-shirts, digital photos, texts, applications, gas or food receipts, etc. Then as a group, students were challenged to think about how the “history” of the CHANCE event might be recorded differently if someone other than themselves were documenting the experience. Students also learned about the impact an archivist may have on what story is recorded and the inherent responsibility to ensure all voices are represented in history. Students then visited the Preservation Lab and Conservator Audrey Sage showed them books in the process of restoration and preservation…and, of course, they saw the legendary Bindery Donut!

AUDREY SAGE ELECTED TO THE UNCG STAFF SENATE

Congratulations to Preservation Services Manager Audrey Sage who was elected to the UNCG Staff Senate as a representative for Academic Affairs for the 2024-2026 term.

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SCUA CAMPUS OUTREACH

On August 13, 2024 Scott Hinshaw, Audrey Sage, and Suzanne Helms provided information about UNCG history for the Annual Campus Kick-Off Luncheon at Moran Commons. Faculty and staff viewed yearbooks, copies of the UNCG Arts magazine, Coraddi, university bulletins, and other display materials. Audrey and Scott answered questions about campus history and the upcoming Jackson Library renovation, and shared SCUA stickers and postcards!

Audrey Sage and Scott Hinshaw

STACEY KRIM INTERVIEWED ON “YOU HAD ME AT CELLO” PODCAST

Stacey Krim, curator of the Cello Music Collection held at the Martha Blakeney Hodges Special Collections and University Archives, was interviewed by Dr. Benjamin Whitcomb for his cello music podcast! You can find it here: https://www.facebook.com/CelloDoctorWhitcomb/videos/1065558351900649

NAV1GATE

On August 18, 2024 Audrey Sage volunteered to assist with NAV1GATE, an all-day campus event, during which the University offers a variety of activities to welcome new students. They learn about opportunities on campus, meet new friends, connect with faculty, staff, student leaders, and learn about the many traditions UNCG celebrates each year. The students are presented with the resources and support systems that are available to help make their first year a success.

RESEARCHER SPOTLIGHT: SUMMER 2024

In July 2024, Dr. Joan E. Organ and her husband spent nine days in SCUA conducting research on Judge Florence Allen, the first woman elected to a state supreme court in the United States. She quickly became a staff favorite and even good-naturedly joined the SCUA staff in a surprise fire drill!

THE SOCIETY OF AMERICAN ARCHIVISTS (SAA) ANNUAL MEETING

In August 2024, Kathelene McCarty Smith and Erin Lawrimore attended the SAA annual meeting Chicago. Erin Lawrimore was a panelist in the session CURE for the Common Paper: Course-Based Undergraduate Research in the Archives. Her presentation “Something Happened Here: Introducing Undergraduates to University Archives and History” focused on Erin’s work with the Honors College class, “University History and Digital Storytelling” which she teaches.

Additionally, on Friday, August 1 at the North Carolina Community College Archives Association annual meeting at Central Piedmont Community College in Charlotte, Erin presented on “Inreach: Engaging Faculty and Students With Your Archives.” 

UPCOMING EVENT:

Join us on Wednesday, September 18th at 3pm in Hodges Reading Room (Jackson Library) for a presentation by Dr. Charles C. Bolton, historian, professor, and author of the recently published Home Front Battles: World War II Mobilization and Race in the Deep South (Oxford University Press). Bolton’s book explores the role of race in World War II mobilization in the Deep South, where the needs of wartime industries and bases inflamed tensions around labor, land, and military service. To accompany Dr. Bolton’s presentation, an exhibit of materials from the Martha Blakeney Hodges Special Collections and University Archives will display posters, printed materials, and other documents related to World War II, race, and military service.

Charles C. Bolton is Professor of History and the incoming Faculty Senate Chair (beginning August 1) at the University of North Carolina at Greensboro. His research focuses on twentieth-century United States, the American South, oral history, race, and politics. He is the author of many books on Southern history, including Poor Whites of the Antebellum South, The Hardest Deal of All: The Battle over School Integration in Mississippi, 1870-1980, and William F. Winter and the New Mississippi.

MANUSCRIPTS

ANNE WALL THOMAS PAPERS

Anne Wall Thomas was a Class of 1949 alumna of Woman’s College. Thomas graduated from Lilesville High School and earned a BFA and MFA from Woman’s College of the University of North Carolina, now UNC Greensboro. Her teaching career began in the public schools of Oxford, NC, and continued in the Charlotte public schools, including teaching at Central High School for a decade. While teaching in Charlotte, Thomas received a Ford Foundation Grant for High School Teachers, allowing her to study and visit West Coast art programs for a year. Following her experience in public schools, she moved to Athens, Georgia, and taught in the Department of Art at the University of Georgia. Her next teaching appointment brought her to Chapel Hill and the Art Department at the University of North Carolina at Chapel Hill. While working at UNC, she wrote Colors from the Earth: Native Earth Pigments – Their Preparation and Use. Thomas moved to Reston, Virginia, for a position as Executive Director of The Greater Reston Arts Center (GRACE). After a decade in Reston, she returned to North Carolina and served for 14 years as Administrator of the Southeastern College Arts Conference.

Throughout her career, Thomas continued to produce and exhibit art, first serigraphs and later paintings and collages. She exhibited regularly in juried exhibitions in the Southeast and nationally. Her work is included in private and public collections throughout the region. She was represented by Lee Hansley Gallery in Raleigh until Mr. Hansley’s untimely death. Thomas published another book, The Walls of Walltown, inspired by her interest in family history that began while growing up in Lilesville, where she had close contact with grandparents and extended family. The book is a tribute to her forebears and the heritage she held dear. The material we have is from her time as a student of Woman’s College. This collection will be an amazing resource for working with classes in the Art Department.

THE ROAD THROUGH “DON’T ASK, DON’T TELL”: VETERANS HISTORY PROJECT

“The Road Through ‘Don’t Ask, Don’t Tell”: A Veterans History Project’ is a documentary series by USMC veteran Theresa Scott that includes photography and recorded interviews which offer insight into the lives of LGBTQIA+ service members who served before and during the “Don’t Ask, Don’t Tell” policy. You can listen to the interviews at: https://gateway.uncg.edu/islandora/object/mss%3AMSS0563.

RARE BOOKS

A DICKENS OF AN ACQUISITION

Recently, we had the opportunity to add to our holdings of materials relating to Charles Dickens and his works. Read on to learn more about each item.

Hunted Down

Hunted Down first appeared in 1859, in the NY Ledger, written by Dickens for the princely sum of £1000 as offered by the newspaper’s publisher, Robert Bonner. Special Collection’s copy is the publisher’s original morocco-style green cloth with gilt stamped spine and gilt stamped Dickens’ bust to front board.

HUNTED DOWN; And Other Reprinted Pieces.
From Peterson’s People’s Duodecimo Edition of Charles Dickens’ Works.

Bumble’s Courtship

Inspired by Dicken’s Oliver Twist, this play may never have been publicly performed.

Sunday Under Three Heads (written under the pseudonym Timothy Sparks)

Early in his career, while busily at work on Pickwick Papers, Dickens found time to write this political tract (under this Sparks pseudonym) in support of the working man’s freedom on the Sabbath, which was being threatened by Parliamentary action. This role of working man’s champion was to continue throughout his life.

Sparks, Timothy, [Charles Dickens]. Sunday under Three Heads : As It Is : As Sabbath Bills Would Make It : As It Might Be Made. , Illustrated by Hablot Knight Browne, Chapman and Hall, 1836.

SPECIAL COLLECTIONS

After a five-year hiatus, the GSO Zine Fest returned. Held at The Crown, in downtown Greensboro’s Carolina Theater, over 50 creative artists participated. Both Maggie Murphy, Associate Professor, Art & Design Librarian, and Carolyn Shankle attended. They each made strategic purchases for the Zines & Newsletters Collection. A small selection is shown below:

Zine by Maggie Murphy
Comics by Christina Lee
A mini zine by Jennifer Yu

Voting Arts Lab was also at the event, and for those who either registered to vote or demonstrated that they were registered to vote, they could choose a limited run poster by a North Carolina-based artist. The poster designed by Georgia Paige Welch will become part of the Print Ephemera Collection.

WOMEN VETERANS HISTORICAL PROJECT

1974 Fort Jackson WAC Training Center Yearbook

1954 WAVES Bainbridge Training Center Yearbook

CATHERINE G. KATOPES ADDITION

Catherine G. Katopes (1912-1979) of Waterbury, Connecticut, served in the Women’s Army Auxiliary Corps (WAAC) and the Women’s Army Corps (WAC) from 1942 to late 1945. Katopes joined the Women’s Army Auxiliary Corps in September 1942 and was sent to basic training at Fort Des Moines, Iowa. In early 1943 she was transferred to Fort Oglethorpe, Georgia, where she worked in the Public Relations Office with the WAAC 158th Company. In January 1944 she was transferred to Kennedy General Hospital in Memphis.

Catherine Katopes (on right) at a restaurant with a fellow WAC during World War II

1951 WOMEN’S ARMY CORPS RECRUITING POSTER

UNIVERSITY ARCHIVES

WOMAN’S COLLEGE BOOKENDS

These lovely wooden bookends were donated by the daughter of Woman’s College (now UNCG) alumna Grace Mildred Howell, class of 1939.

On May 22, 2024, UNCG School of Nursing alumnae Kathryn Ortman Prohoda (’81) and her sister, Madeleine Ortman (’85) visited SCUA to view historical photographs as well as class composites that previously hung in the former School of Nursing building. While here, they posed with the portrait of Eloise R. Lewis, who was the first Dean of the School of Nursing, serving in that role from 1966-1985.

Madeleine Ortman and Kathryn Ortman Prohoda
Kathryn also generously donated her class ring to the University Archives

HAYES-TAYLOR YMCA COMMUNITY SCANNING

On April 4th, 2024 SCUA staff volunteered to assist in a community scanning event led by Digital Projects Coordinator David Gwynn. The focus of the event was to preserve local African-American history. Community members brought their photographs, ephemera, and other materials to be scanned. The digitized files will be added to the UNCG Libraries Gateway site.

JACKSON LIBRARY CREATIVITY COMMONS

For University Libraries’ Staff Development Week, Carolyn Shankle and Suzanne Helms helped staff create their own letterpress print using the Spring Garden Press, a circa 1854 A.B. Taylor Company No. 2 Iron Hand Press, housed in Special Collections. As you can see from the photographs below, printing is hard work. The hand inked posters (and the wood type) featured the text “Exit pursued by a Beare. Act III, Scene III stage direction by William Shakespeare excerpt of the First Folio, 1623.”

“DR. GOVE: PHYSICIAN AND PHOTOGRAPHER”

In March, Kathelene McCarty Smith gave the presentation, “Dr. Anna Gove: Physician and Photographer,” to a local chapter of the DAR (Daughters of the American Revolution). The talk featured photographs from archival collections illustrating Gove’s tenure as campus physician at the State Normal and Industrial College (now UNCG), as well as her experiences as a Red Cross doctor during World War I.

UNCG PRIDE KICKOFF

UNCG held a Pride Month Kickoff event in April with table displays in Moran Commons. Stacey Krim and Melody Rood staffed the Libraries’ table. Beth Ann Koelsch and Patrick Dollar collected materials for the University Archives collections. While there, they took the opportunity to try out the 360-degree video setup. UNCG provided the pink boa and sunglasses.

QUEER CAFÉ  

This spring, SCUA staff participated in the 3rd annual Queer Café, hosted by University Libraries as part of the greater campus PRIDE programming. SCUA created a pop-up exhibit featuring UNCG Queer History and offered a letterpress printing station for a hands-on activity.

NAOMI WISE BOOK TALK

An exciting collaborative event was held at the Alumni House in March when University Libraries and SCUA hosted a book talk with authors Hal E. Pugh and Eleanor Minnock-Pugh. The presentation featured their book Naomi “Omie” Wise: Her Life, Death and Legend. Proud North Carolina native and SCUA Archivist Scott Hinshaw (at the podium) organized the event.

WOMEN VETERANS EVENT

On April 27, 2024, Beth Ann Koelsch attended the 2nd Annual “Morning with the Mustangs” Women Veterans Event in Orange County, North Carolina. Sponsored by Mustangs and Patriots, women veterans connected with each other, shared stories, and interacted with mustangs and miniature donkeys.


SCUA ON THE FACULTY SENATE EXECUTIVE COMMITTEE

We are proud to announce that our own Stacey Krim has been elected as the Secretary of the UNCG Faculty Senate! Congratulations!

SCUA SWAG!

We now have eight styles of stickers for visitors to SCUA to take home and enjoy!

SCUA NEWS FINALE

And, finally…SCUA’s Audrey Sage, Beth Ann Koelsch, Stacey Krim, and Kathelene Smith (along with our fearless leader Terry Brandsma and Music Library Manager Andrea Tiffany), a.k.a. the “Jackson Ukers”, entertained library colleagues on May 6, 2024, for Staff Development Week. We played the heck out of Hank Williams’ “Hey, Good Lookin,'” The Beatles’ “Eight Days a Week,” Johnny Cash’s “Folsom Prison Blues,” and The Monkees’ “I’m a Believer.”

Upcoming SCUA Events:

  • “Performing Arts on Campus” exhibit at the Greensboro Project Space: September 30-October 4.
  • “The Queering of Eve: Using Poetry to Confront Compulsory Heterosexuality in the Garden of Eden” with Emilia Phillips: TBA.
 
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